Things to do this week in Nashville: Music, dance, art

‘Jazz As Is’ at Elephant Gallery

Tonight, Elephant Gallery opens an exhibition of quirky painting by a local musician. “Jazz As Is” features a series of paintings by Harry Kagan, the singer and guitarist of the local Music Band. Kagan started painting only a few years ago, and his canvases resonate with vivid colors and an idiosyncratic mishmash of dark, fun images. These are visual expressions, he says, of songs that weren’t suited to the music.

The exhibition runs until April 7. Elephant Gallery is located at 1411 Buchanan St. Its hours of operation are 2 p.m. to 6 p.m. Friday, noon to 6 p.m. Saturday and by appointment. Free entry.

‘Human Nature’ at the Schermerhorn Symphony Center

The Vegas Human Nature sensation has been sold out around the world since signing with Sony Music Australia more than two decades ago. Now the pop-vocal group is bringing their unique sound to the Schermerhorn Symphony Center as part of their “Jukebox” tour.

Serving up a collection of favorite songs spanning everything from the doo-wop era to today’s hits, the quartet – with a seven-piece band and world-class dancers – pays homage to legends of pop, Motown, soul and more.

The performance is at 7:30 p.m. Sunday at the Schermerhorn Symphony Center in Nashville, One Symphony Place. Tickets start at $ 34, available at or 615-687-6400.

Corinne Bupp, left, and Savannah Stein in "Little woman."

‘Little Women – The Musical’ at Actors Point

Actors Point Theater Company continues its season with the charming “Little Women – The Musical”.

Based on Louisa May Alcott’s beloved 1869 novel, “Little Women” follows the animated adventures of Jo, Meg, Beth, and Amy March as they grow up in Civil War America. With a book by Allan Knee, music by Jason Howland and lyrics by Mindi Dickstein, this 2005 musical celebrates the wonders of family, friendship, hope and love.

Actors Point Artistic Director Greg Wilson runs a terrific cast, including Savannah Stein, Corinne Bupp, Crystal Kurek, Elise Piliponis, Loren Echols, Cameron Bortz, Aaron Echols and Noah Geerholt.

It will take place March 8-17 at Actors Point Theater Company, on the campus of God Why Church, 100 God Why Court, Hendersonville. The performances are at 7:30 p.m. on Thursdays, Fridays and Saturdays; tickets are $ 13 to $ 18. Dinner / show packages are available March 9 and 16, with dinner at 6:30 p.m. tickets are $ 27 to $ 34, available at or 615-431-9620.

Head of a portrait of a woman (Carthage, Tunisia), circa 100 AD.  Marble, 15 3/4 x 9 7/8 x 10 5/8."

Preview of two new exhibitions at Frist

Earlier this month, the Frist Center launched two very different exhibitions that are sure to spark rich conversation and interesting comparisons. “Rome: City and Empire”, on display in the Ingram Gallery, presents a selection of ancient Roman artifacts from the British Museum, which houses one of the most comprehensive collections of antiquities in the classical world. The more than 200 objects on display at Frist illustrate the vastness of the Roman Empire and its social, political and aesthetic impact across Europe, North Africa and the Middle East.

And “Slavery, the Prison Industrial Complex: Photographs by Keith Calhoun and Chandra McCormick”, exhibited in the Gordon Contemporary Artists Project Gallery, presents a series of black and white images of Keith Calhoun and Chandra McCormick, originally from New Orleans. , which document the life and exploitation of men incarcerated in the maximum security farmhouse at Louisiana State Penitentiary in Angola. Stay tuned for more on these exhibits in the coming months.

The Frist is located at 919 Broadway Ave. Its opening hours are from 10:00 a.m. to 5:30 p.m. on Monday, Tuesday and Wednesday; 10 am-9pm Thursday and Friday; 10 am-5:30pm Saturday; 1 p.m. to 5:30 p.m. Sunday. Admission is $ 12; $ 9 for seniors and college students; $ 7 for active military personnel; free for members and children 18 and under.

Alvin Ailey American Dance Theater 2017

‘Alvin Ailey American Dance Theater’ at TPAC

World-renowned American dance theater Alvin Ailey arrives in Nashville this week for a special one-night-only performance at the Tennessee Performing Arts Center.

Artistic Director Robert Battle directs 32 remarkable dancers as they carry on the company’s “legacy of using the African-American cultural experience and the tradition of modern American dance to uplift, unite and enlighten.”

Of course, no performance would be complete without Alvin Ailey’s American masterpiece “Revelations”. Inspired by Ailey’s memories of growing up in Mount Olive Baptist Church in Texas, this extraordinary work – which has been seen around the world since its inception in 1960 – “pays homage to the rich cultural heritage of African Americans and explores the emotional spectrum of the human condition. “

The performance is at 7:30 p.m. Wednesday at TPAC’s Andrew Jackson Hall, 505 Deaderick St., Nashville. Tickets start at $ 35, available at or at 615-782-4040.

Tamara Reynolds, "Untitled, Fairview, Tennessee," 2013, pigment print on archival paper, 20.5x30".

Two shows to watch in WeHo

There is too rarely an exhibition of fine art photography, but Dane Carder Studio in Houston Station is quickly gaining a reputation for being a space where you will find one. Check out “Selections From Southern Route,” an exhibition of photographs by Nashville artist Tamara Reynolds, on display at the gallery through March 17. Reynolds’ photographs confront the glaring contradictions of the South with tenderness and honesty. The gallery is at 438 Houston St. # 262. Its opening hours are 10 a.m. to 5 p.m. Monday to Friday and by appointment. Free entry.

Jessica Gatlin, performance and installation view.

And for another two weeks at Seed Space in Track One, Nashville artist Jessica Gatlin “… IN WHICH THE ARTIST IS TRYING TO TALK ABOUT THE SPACE WHERE YOU DO THE THINGS THAT ARE NOT DONE IN THESE OTHER SPACES. ” The installation you will find now is the exhilarating sequel to Gatlin’s performance on opening night last month. She says in her artist statement: “You were educated and socialized in a white supremacist capitalist patriarchy with a long history (presence) of violence and colonization. You are only a tiny part of a complex and indifferent machine, a machine that actively seeks to destroy what it cannot exploit. How might you react to learning your programming? “

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